Old Glory is an installation and participatory performance piece inviting audiences to engage with the American flag symbol in a personal way. The installation features a large red string flag, a blue Connect Four game, and a white picket fence. During the performance, participants are invited to drop a penny through the game and make a wish. The artist cuts a string from the flag, ties it around the participant's wrist, and wishes for their dream to come true. The performance debuted at SVA on June 29, 2022, and was well-received, leading to an invitation from Starta Arta Gallery in New York to present it again on December 7, 2022. This document briefly captures the SVA performance.

PoppyPink is an ongoing, minimalist, site-specific performance art project that premiered in Central Park, New York, in October 2024.
The Artist wears a knitted pink dress with a single thread tied to a tree. As she walks, the thread unravels behind her, leaving a trail. Audience members are invited to follow the artist, engage with the thread, and at the final stage, tie a thread from the dress around their wrists. It is a participatory ritual of remembrance, connection, and shared grief.
The performance serves as a symbolic tribute to victims of war and violence worldwide, raising awareness of human suffering while offering a space for reflection, collective memory, and solidarity.

The Spell exhibition (February 2020, Gordon-London Art Gallery) featured three interactive shrines dedicated to various aspects of the human experience. Each shrine served as an active altar, inviting visitors to participate in reflection, prayer, and meditation rituals.
Through audience participation, "Spell" transformed the gallery into a sacred, immersive space, fostering a sense of mysticism and connection between the artist, the artwork, and the viewers. The exhibition exemplified the intersection of art, spirituality, faith, and audience interaction.

99 NO 1 YES is a participatory performance that transforms artistic rejection into a shared ritual. Using a black briefcase, a cup of tea, and 99 real rejection letters collected over years of applications, the artist creates a bureaucratic one-on-one encounter. Audience members draw numbers and receive a stamped, sealed envelope addressed back to the artist, each containing a real rejection letter.
Hidden among the letters is a single acceptance. When that number is called, confetti is released, carefully collected, and mailed along. The work reframes failure as a collective experience, blending dark humor with quiet persistence, and exposing the emotional and bureaucratic machinery of institutional gatekeeping.

MonoMontage is a simple reading performance piece, a poetic montage composed of quotes by Marina Abramović, Tino Sehgal, and Linder Sterling, interwoven with the artist's own voice. It questions the necessity of the studio as a creative space.

Seed of Healing is a participatory performance that emerged from my research into the space between performance, ritual, and healing.
In performance, I take on the role of a shaman or healer. The participant sits across from me, holds my gaze, and silently focuses on a personal pain or ailment. I place their suffering into a capsule, seal it in a small paper bag, and offer simple instructions: bury it in a flowerpot and water it. The participant is not told that the capsule contains flower seeds. Later, some return to share that a plant has grown from their pain.